IMPASSE by Caroline and Frank Mouris ART ’69

IMPASSE by Caroline and Frank Mouris ART ’69—made using millions of Avery labels—is one of the many films preserved by the Yale Film Archive.

IMPASSE by Caroline and Frank Mouris ART ’69—made using millions of Avery labels—is one of the many films preserved by the Yale Film Archive.
Join us online for a free Indie Lens Pop-Up screening and discussion of 9to5: The Story of a Movement, a new documentary by Julia Reichert and Steve Bognar.
The Yale Film Study Center has been renamed the Yale Film Archive. The new name is intended to better reflect the archive's critical support for teaching and research as well as its leadership in fostering a vibrant film culture at Yale through collection, preservation, and public access. It also highlights the group's work within the archival community developing and implementing standards for the care of film at Yale.
Film Archive staff will continue to provide all the same services and resources for students and faculty as under the old name.
The Yale Film Archive's offices and self-service Viewing Facilities are located on the 7th floor of Sterling Memorial Library, 120 High Street in New Haven. Entry to the Film Archive requires a Yale ID, but special arrangements can be made in advance for visiting scholars.
Note that the Archive's video collection is kept in closed stacks. Media from that collection should be requested in advance from Quicksearch for delivery to a Yale Library location of your choosing.
Join Treasures from the Yale Film Archive online for a conversation with animators Caroline and Frank Mouris ART '69, in conjunction with the online debut of their recently-preserved short film Impasse (1978), which was created using millions of Avery labels. In the film, a red arrow and a white dot travel through tessellating layers of shapes and colors, set to a soundtrack by percussionist Roland Miles.
Though the big screen is dark, we've scared up a witches' brew of film frights to haunt the dreams of Yale students, faculty, and staff this Halloween. Stream and scream to thirteen horror classics spanning a century of cinema's most ghoulish genre. These spectral offerings are part of Yale University Library's streaming video collections.
The Yale Film Study Center has received a grant from the National Film Preservation Foundation to support preservation of Tony Williams in Africa, a 1973 documentary by filmmaker, musician, Yale alumnus, and Professor Emeritus Willie Ruff '53 B.M., '54 M.M.
Treasures from the Yale Film Archive presents the online debut of two recently-preserved short films by S.W. "Winkie" Childs, Jr. '27 and Cynthia Childs, Seductio Ad Absurdum and I'd Be Delighted To!
In the fall of 2016, the Yale Film Archive received a collection of more than 400 reels of 16mm amateur film productions and home movies made between the 1920s and the 1960s. The films were made by Winkie Childs, an amateur film enthusiast and third-generation Yale alumnus, who graduated Yale College in the class of 1927.
Yale's film stars are lighting up the small screen with Treasure Talks.
Treasure Talks is a series of online conversations with Yale alumni from the film world about some of their favorite films, selected from prints in the collection of the Yale Film Archive. Archivist Brian Meacham talks with directors, actors, critics, and academics about their chosen film, as well as reflections on their time at Yale, its influence on their career, and their latest film recommendatinos.

Treasure Talks is a series of online conversations with Yale alumni from the film world about some of their favorite films, selected from prints in the collection of the Yale Film Archive. Archivist Brian Meacham talks with directors, actors, critics, and academics about their chosen film, as well as reflections on their time at Yale, its influences on their career, and their latest film recommendations.