The Three by Kubrick series launches with A Clockwork Orange, the 1971 dystopian crime film adapted from the novel by Anthony Burgess. Malcolm McDowell stars in what Time Magazine called "a merciless, demoniac satire in the future imperfect" and the London Evening Standard praised as "one of the...
An essential time-saver for anyone new to music research at Yale, whether searching for performance or research materials. Learn how to search like an expert for music scores and recordings; how to access amazing online resources, including streaming audio and video, all available 24/7; and get to...
The Gilmore Music Library is pleased to announce that it is now providing significantly enhanced online streaming access to audiovisual materials in its Special Collections, including Historical Sound Recordings (HSR) and Oral History of American Music (OHAM). Working with the consulting and...
This year marks 50 years since Oral History of American Music (OHAM) was founded in 1969 by Vivian Perlis. Various celebrations of this anniversary are planned throughout the academic year.
Yale’s Center for Collaborative Arts and Media is hosting a two-week long installation of pieces created by...
Join us for a 50th anniversary screening of Butch Cassidy and the Sundance Kid, starring Robert Redford and Yale School of Drama alumnus Paul Newman, and directed by Yale College grad George Roy Hill. The screening will be followed by a discussion with Wesleyan's Joel Pfister. "Butch and Sundance"...
Join us for an evening of films and filmmakers in honor of the anniversaries of coeducation at Yale College and the Yale graduate schools. Directed by Yale Women: A Celebration of Women Filmmakers at Yale presents films made by Yale alumnae, from pioneering animator Mary Ellen Bute '26 DRA, to...
Join us for a 30th anniversary screening of Spike Lee's Do the Right Thing, followed by a discussion with Yale's Daphne Brooks, Aimee Cox, and Daniel HoSang. The Oscar-noinated screenplay by Lee sets tensions to boil on a hot Bed-Stuy day. Siskel and Ebert both named it the best film of 1989, and...
